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Just before Kohei Yoshiyuki took his Canon seven into the parks of Tokyo while in the nineteen seventies, voyeurism had existed in Japanese artwork for hundreds of years, as inside the sexually billed literary works of Junichiro Tanizaki or while in the seemingly clear-cut erotic woodblock prints of Ukiyo?�e.??touches by https://keikof208hsd0.newbigblog.com/profile

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